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| Glossary
of Digital Audio-Video Terms |
Select the
first
letter of the word from the list above to jump to the appropriate section
of the glossary. If the term you are looking for starts with a
digit or symbol, choose the # link.
-
A -
AAC
(Advanced Audio Codec)
The audio coding
standard defined by ISO as part of the MPEG-2 specification. Declared
an
international standard in April 1997, MPEG-2 AAC builds upon and
extends the popular ISO/MPEG-1 Audio
Layer-3 (MP3) audio
coding
format. Compared to MP3, AAC provides higher quality music with
approximately 30% of the storage space or bandwidth. AAC provides
for up to 48 audio channels
and sample rates up to 96 kHz.
AC-3
Audio
Engineering Society / European Broadcast Union is a digital
audio
standard commonly used in linking professional digital audio
equipment. The AES/EBU digital interface is usually implemented
using 3-pin XLR connectors,
the same type of connector used in a
professional microphone. One cable carries both right and left
channels. AES/EBU is an alternative to the S/PDIF standard.
ampere
(A)
The unit of
measurement for electrical current in coulombs
per second. There
is one ampere in a circuit
that has one ohm resistance
when one volt is
applied to the circuit.
See Ohm's Law.
amplifier
(amp)
A device that
increases signal level. Many types of amplifiers are used in
audio systems. A pre-amplifier
is used to increase the signal
level from an audio source. A power amplifier increases the signal
level and
lowers the impedance sufficiently to drive a speaker.
Pre-amplifiers and power amplifiers can be purchased as separate units
or can be packaged together with other audio functions. A
receiver is an audio unit that
combines an AM/FM or FM-only radio
tuner, pre-amplifier, control, input-switching, processing, and
power-amplifier functions built into a single unit.
Audio power
amplifiers are primarily classified by their output-stage design.
Classes of
analog-output audio power amplifiers include:
- Class A
- Class B
- Class AB
- Class AB plus B
- Class D (digital)
- Class G
- Class H
The method of
representing and storing audio information with continuously-variable
physical quantities. Audio in an analog electrical signal is represented by
the varying of a voltage's rate of
change (frequency) and strength
(amplitude)
to correspond to how the audio changes in frequency and volume.
Examples include cassette tapes
and 78 rpm and LP records. Contrast
with
digital.
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-
B -
bit
(b)
Originally short
for binary digit. In
digital terms, the smallest unit of
information. A bit represents either an on or off value
represented by a 0 or 1. Abbreviated b (note
the use of lower
case). Also see hexadecimal.
Refers to a
stream of bits transmitted over a communications line between two
devices, such as an Internet audio or video stream via SHOUTcast.
A unit of
digital value that consists of 8 bits.
Computer memory or storage
is usually measured in the number of bytes such as kilobytes (KB),
megabytes (MB), and gigabytes (GB).
Note the upper-case B. Also see hexadecimal.
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- C -
CD
Compact Disc--an optical-disc
storage media that is designed to store audio, video, or computer data
in a digital format (they can
be mixed on the same disc). CDs have a capacity to
store up to 650 MB to 700 MB (megabytes) of
data, or 74 to 80 minutes of music. The
digital
information in a standard audio CD is encoded in a PCM format at a
sampling rate of 44.1 Khz.
Compact Disc
Digital Audio--the standard as set forth by Sony and Philips in the
mid-1970s. Audio tracks are sampled at 44.1 KHz and 16 bits.
Short for
encoder/decoder, MP3 for example. The encoder
is the process
used to create the file, the decoder turns that encoded file back into
a digital video and/or audio stream. Playback tools like WinAmp
only need the decoder part of the pair.
Methods used to
reduce a file in size. Various methods of encoding digital
information can be used to reduce the size of an original digital
recording, either by eliminating redundant information or information
that is viewed as unnecessary or not critical (lossy compression--MP3, for example) or by using other
means to preserve the full data
stream (lossless compression--FLAC,
for example). PCM is an
uncompressed digital format. Various common encoding methods and
their compression ratios compared to PCM are Dolby Digital (12:1)
and DTS (3:1).
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- D -
DAC
Digital-to-analog
converter--circuitry that converts a digital bitstream to an
analog signal.
DAB
dB
The abbreviation for
decibel.
A scale to
measure the relative loudness of sound or strength of a signal. Decibels are a
logarithmic scale of relative
loudness. A
difference of 1 dB is usually
the minimum perceptible change in volume,
3 dB (actually double the
acoustic
power) is a moderate change in volume, and 10 dB is an apparent doubling
in volume. In audio equipment decibels are used to indicate the
range of volume from the quietest to the loudest signal that can be
handled. Also see dynamic range.
The volume level of common sounds in decibels (relative
to the threshold of hearing) are:
- 0 dB is the nominal
threshold of hearing, 130 dB
is the threshold of pain
- Whisper: 15 to 25 dB
- Quiet background: about 35
dB
- Normal home or office background: 40 to 60 dB
- Normal speaking voice: 65
to 70 dB
- Orchestral climax: 105 dB
- Live rock music: 120+ dB
- Jet aircraft (near-field): 140
to 180 dB
The method of
representing and storing audio information with numbers. Audio in
a digital signal can be represented by many different schemes.
One common scheme is PCM.
Contrast with analog.
The method used
in digital systems to smooth out the transitions from one bit to
another at low levels. Dithering makes a digital recording sound
and
behave more like analog. The better a recording is dithered, the
higher its apparent resolution. Also known as anti-aliasing, a
similar technique is used in computer graphics to make curved and
diagonal lines appear smoother.
Digital
Audio Broadcasting (DAB)
Also known as
digital radio, Digital Audio Broadcasting is a digital method of
transmitting audio and other information over the airways to radio
receivers. In the United States, a technology has been proposed
called IBOC that uses the
existing AM and FM frequency bands assigned
to radio stations.
A
compressed-video format closely related to MPEG-4, and the player software that
plays it. DivX files usually carry the file extension AVI or,
less commonly, DVX.
Formerly, the name of a failed DVD-based
technology.
A 5.1
multi-channel surround format consisting of discrete front left, front
center, front right, rear left, rear right, and a low-frequency-effects
(LFE) subwoofer channel. Dolby Digital is compressed
approximately 12:1 compared to PCM.
Dolby
Digital Surround EX
An enhancement
to the Dolby Digital 5.1
format where a rear-center channel has been
added creating a 6.1
format. The Dolby Digital Surround EX format
does not add an additional discrete recorded channel. The new
rear center or "back" channel is matrix-encoded in the Dolby Digital
left and right surround signals. The recorded Dolby Digital audio
consists of five discrete main channels and a sixth,
low-frequency-effects (LFE) subwoofer channel. The two rear
surround
channels carry the signal for the rear center or "back" channel.
The Dolby Digital Surround EX format made is debut in the movie Star
Wars: Episode I - The Phantom Menace.
Direct Stream
Digital--a digital encoding format developed by Sony and Philips that is used to record SACD albums. DSD samples an audio signal at a
fixed rate (frequency) just as in the PCM method. However,
instead of recording the volume (amplitude) as an absolute number as
in PCM, the DSD method measures and records how much the volume has
changed since the last measurement. If the signal is sampled fast
enough, the amount of change since the previous sample would be very
small. As implemented on SACDs, DSD has a sampling rate that's over 2.8
MHz (2.8 million times per second)! At this high speed the
changes
in
signal strength can be represented with one bit. DSD also
compresses the data, resulting in a 2:1 reduction. DSD is
able to provide a frequency response from DC to 100 kHz with a dynamic
range of 120 dB.
DSB
Direct-satellite broadcast--Sirius and
XM Radio are the leading
examples.
DTS
Digital Theater
Systems--a multi-channel (5.1) digital audio encoding format
created
by Digital Theater Systems. The DTS format was introduced in
theaters in 1993 with the movie Jurassic Park.
In
addition, the DTS format has been applied to home CDs, laser discs, and
DVDs. DTS audio, as used in DVD-Video and CDs, is compressed
approximately 3:1 from PCM recorded with a sampling frequency of 96 kHz
and a 20-bit sampling
size. DTS is capable of encoding PCM with a
sampling frequency up to 192 kHz
and 24-bit sampling size.
DTV
Digital Television--the general term for SDTV, EDTV, and HDTV.
DVD
Digital Video
Disk or (now) Digital
Versatile Disk. An optical disk storage
media that can store video, audio, and computer data; the form factor
is the same as that for CDs. There are multiple standards and
formats for DVDs. Typically, a DVD-Video is referred to as a
DVD. Various DVD formats are:
- DVD-Video
- DVD-Audio
- DVD-ROM
- DVD-RAM
- DVD-R
- DVD-RW
- DVD+R
- DVD+RW
DVD-Audio
An audio
standard for high quality audio recorded on DVDs that exceed both the
capacity and reproduction quality of CDs. A DVD-Audio disk is
capable of recording audio with frequencies up to 96 Khz (compared to
CDs at 20 kHz) and with a
dynamic range of up to 144 dB
(compared to
a CD's 96 dB). DVD-Audio
also supports multi-channel recordings.
DVD-RAM
A rewritable DVD
format in which discs are (usually) encased in a carrier.
Treated by a PC like a Zip disk or a (really) big floppy. Relatively rare.
DVD-ROM
A DVD that
stores computer data and is read by a DVD-ROM drive attached to a
computer or can be read by some players (especially JPEG picture files
and MP3 audio files). A
DVD-ROM is read-only media. DVD-ROM
also includes recordable variations (DVD-R & DVD-RW, and DVD+R
& DVD+RW).
DVD-Video
The format
commonly referred to as "a DVD". A DVD-Video stores video and
audio
information that is played by a DVD-Video player attached to a TV or
video monitor.
The range
between the loudest and the softest sounds that are in a piece of music
or that can be reproduced by a piece of audio equipment without
distortion. This is a ratio expressed in decibels (dB). In
speech the range rarely exceeds 60 dB;
in music the range can reach
over 75 dB.
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- E -
EDTV
See Enhanced Definition Television
Enhanced
Definition Television (EDTV)
EDTV refers to a
complete product/system with the following minimum performance
attributes:
- Receiver:
Receives ATSC terrestrial digital transmissions and decodes all ATSC
Table 3 video formats.
- Display
Scanning Format: Has active vertical scanning lines of 480 progressive
(480p) or higher.
- Aspect
Ratio: None Specified.
- Audio:
Receives and reproduces, and/or outputs Dolby Digital audio.
Enhanced
Definition Television (EDTV) Monitor refers to a monitor
or display with the following minimum performance attributes:
- Display
Scanning Format: Has active vertical scanning lines of 480 progressive
(480p) or higher.
- Aspect
Ratio: None specified.
Enhanced
Definition Television (EDTV) Tuner refers to a RF
receiver with the following minimum performance attributes:
- Receiver:
Receives ATSC terrestrial digital transmissions and decodes all ATSC
Table 3 video formats.
- Outputs:
Outputs
the ATSC Table 3 720p and 1080i/p and 480p formats with minimum active
vertical scanning lines of 480p. Alternatively, the output can be a
digital bitstream output capable of transporting 480p, except the ATSC
Table 3 480i format can be output at 480i.
- Audio: Receives and
reproduces, and/or outputs Dolby Digital audio.
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- F -
FireWire
The popular name
for a high-speed digital standard for connecting peripherals such as
digital video cameras, audio components and computer devices.
FireWire was originally developed by Apple
Computer as a replacement
for the SCSI bus. IEEE 1394
is the formal name
for the
standard. Vendors must obtain a license from Apple to use the
term "FireWire".
FLAC
The Free
Lossless Audio Codec. Somewhat oversimplified, FLAC is
similar to
MP3, but lossless, meaning that
audio is compressed in FLAC without any
loss in quality.
frequency
The measurement
of the number of cycles per second in an acoustic tone or an
alternating
current signal. The technical term for cycles per second is hertz,
abbreviated as Hz. The
range of human hearing is typically
considered to range from 20 Hz to
20,000 Hz (also expressed as 20
Hz - 20 kHz).
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- G -
Gigabyte
(Gig or Gbyte)
One billion
bytes. Written as 1 GB.
Gigabytes are used as a measure of digital storage space--for example,
a standard DVD-R or DVD+R can hold about 4.7 GB.
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- H -
HDTV
A measurement of
frequency. One hertz is equal to one
complete cycle per second. hertz is abbreviated as Hz.
A method of representing digital
values that are in units of 4 bits
or ½ of a byte
(a nibble). The values
are normally represented as:
Binary
Hexadecimal Decimal
00000000
00
0
00000010
02
2
00000011
03
3
00000100
04
4
00000101
05
5
00000110
06
6
00000111
07
7
00001000
08
8
00001001
09
9
00001010
0A
10
00001011
0B
11
00001100
0C
12
00001101
0D
13
00001110
0E
14
00001111
0F
15
00010000
10
16
00010001
11
17
00010010
12
18
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through -----------------
High-Definition
Television (HDTV)
HDTV refers to a
complete product/system with the following minimum performance
attributes:
- Receiver:
Receives ATSC terrestrial digital transmissions and decodes all ATSC
Table 3 video formats.
- Display
Scanning Format: Has active vertical scanning lines of 720 progressive
(720p), 1080 interlaced (1080i), or higher.
- Aspect
Ratio: Capable of displaying a 16:9
image.
- Audio:
Receives and reproduces and/or outputs Dolby
Digital audio.
High-Definition
Television (HDTV) Monitor refers to a monitor
or display with the following minimum performance attributes:
- Display
Scanning Format: Has active vertical scanning lines of 720 progressive
(720p), 1080 interlaced (1080i), or higher.
- Aspect
Ratio: Capable of displaying a 16:9
image.
- In
specifications found on product literature and in owner's manuals,
manufacturers are required to disclose the number of vertical scanning
lines in the 16:9 viewable area, which must be 540p, 810i or higher to
meet the definition of HDTV.
High
Definition Television (HDTV) Tuner refers to a RF
receiver with the following minimum performance attributes:
- Receiver:
Receives ATSC terrestrial digital transmissions and decodes all ATSC
Table 3 video formats.
- Outputs:
Outputs
the ATSC Table 3 720p and
1080i/p formats in the form of HD with
minimum active vertical scanning lines of 720p, 1080i, or higher.
Additionally, it may output HD formats converted to other
formats. The lower resolution ATSC Table 3 formats can be output
at lower resolution levels. Alternatively, the output can be a
digital bitstream with the full resolution of the broadcast signal.
- Audio:
Receives and reproduces and/or outputs Dolby Digital audio.
An abbreviation for
hertz.
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- I -
In-Band
On-Channel--a proposed technology for digital radio in the
United
States. Digital radio is also being referred to as Digital Audio
Broadcasting or DAB. IBOC allows digital information to be
transmitted simultaneously with existing analog broadcast in the same
frequency bands that are currently assigned to AM and FM broadcast
stations.
IEEE
1394
See FireWire
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- J -
(empty)
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K -
kilobyte
(K or kbytes)
1 kilobyte is
1,024 bytes.
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- L -
(empty)
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- M -
megabyte
(Meg or Mbytes)
Precisely 1,048,576 bytes (1024 x 1024), but often rounded to "one million
bytes". Written as 1 MB.
Megabytes are used as a measure of
digital storage space--for example, a CD can hold 650 to 700 MB.
MIDI
Musical
Instrument Digital Interface--originally developed by Korg as a means of
controlling multiple synthesizers from a single keyboard or
computer, now a standard. Also now often used to control stage lighting or on a
computer to synthesize music directly on the PC. The standard
covers the connectors, signals, and MID
file format.
MOD
(file)
A type of
computer-music file; think MIDI
with the samples or synthesis
instructions included. Originally developed on the Amiga (in 1987), there
are now multiple formats, including STM/S3M
(ScreamTracker) and IT
(ImpulseTracker)--a tracker is the
program used to create MOD files in
the first place--as well as the
original MOD format. There are literally
tens of thousands of
these
files, many of them are excellent music, even the earliest ones--start here
for more
information. WinAmp or
(even better) MODPlug Player
play these.
MP3
(MPEG-1 Audio Layer 3)
The audio codec
(coding format) defined by the International
Organization for
Standardization (ISO) as
part of the MPEG-1
specification. MP3 has become a popular audio compression format
on the Internet, on computers, and on portable music players.
MPEG
The Motion Pictures Expert Group. Also, the extension used (along with MPG) for the original video codec they developed, sometimes also referrred to as MPEG-1. Now an ISO standard.
An improved video codec that offers better video quality and higher resolution than the original MPEG format. It's commonly used on DVDs and some satellite broadcasts.
A video codec
that provides better video quality than the original MPEG-1
specification
(comparable to the DVD/satellite-brodcast MPEG-2 standard) in about the
same storage space. These sometimes carry the file extension MP4,
though some MOV and AVI files are actually MPEG-4.
Also see DivX.
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- N -
(empty)
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-
O -
Ogg
Theora
A completely
open, patent-free, professional video encoding and streaming technology
with all the benefits of Open Source. Files usually have the OGG
extension. http://www.vorbis.com
Ogg
Vorbis
A completely
open, patent-free, professional audio encoding and streaming technology
with all the benefits of Open Source. Files usually have the OGG
extension. http://www.vorbis.com
ohm
A unit of electrical
resistance (DC) or impedance (AC). The symbol used is an omega (Ω).
The basic law of
electrical circuits.
The current in amperes (I) in a circuit equal to
the voltage (E) in volts divided by the resistance (R) in ohms: I=E/R
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- P -
Pulse Code
Modulation--a method of encoding audio information in a digital
format. PCM samples analog audio information at a fixed sampling
rate and measures the amplitude (volume) of the audio signal with a
precision determined by the sampling size. Audio is encoded on
CDs in the PCM format with a sampling frequency of 44.1 kHz and a
16-bit sampling size. A
16-bit sample size can contain 65,536 possible
levels of sound volume which corresponds to a dynamic range of
96dB. DVD-Audio can be
encoded in PCM with a sampling frequency
of up to 192 kHz and a 24-bit sample size. A standard
WAV file on
a PC is usually encoded as PCM.
perceptual
coding
A euphemism
describing the lossy methods of audio compression that remove
portions of the audio signal that cannot be easily perceived by the
human ear. Forms of perceptual coding in popular audio codecs
include formats such as Dolby Digital, DTS, MP3, and AAC.
Contrast with
FLAC.
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- Q -
(empty)
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- R -
A program that
converts tracks of an audio CD from CDDA
format to WAV format and saves
them to storage media, usually a hard drive.
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- S -
SACD
SDDS
Sony Dynamic Digital Sound--a
multi-channel (5.1 or 7.1) digital format developed by Sony for
theatrical film.
SDTV
S/PDIF
Sony/Philips
Digital Interface Format--a format for linking consumer digital
audio
equipment together based upon the AES/EBU standard. S/PDIF
typically uses unbalanced high impedance coaxial cables or fiber
optical cables; however, high quality audio cables can be used for
short lengths. Good 75-ohm cable and good 75-ohm connectors can
provide for lengths up to 25 feet.
Standard
Definition Television (SDTV)
SDTV refers to a
complete product/system with the following performance attributes:
- Receiver:
Receives ATSC terrestrial digital transmissions and decodes all ATSC
Table 3 video formats, and produces a useable picture.
- Display
Scanning Format: Has active vertical scanning lines less than that of
EDTV.
- Aspect
Ratio: None specified.
- Audio:
Receives and reproduces usable audio.
Standard Definition
Television (SDTV) Tuner refers to a RF
receiver with the following minimum performance attributes:
- Receiver:
Receives ATSC terrestrial digital transmissions and decodes all ATSC
Table 3 video formats.
- Outputs:
Outputs all ATSC table 3 formats in the form of NTSC output.
- Audio:
Receives and reproduces, and/or outputs Dolby Digital audio.
A technology for
high resolution multi-channel digital audio recordings originally
proposed by Sony and Philips. SACD albums must
contain one layer
with the DSD digital encoding format which requires a SACD-capable
player. SACD albums can optionally contain a second layer encoded
with the CDDA format (PCM 44.1 kHz @ 16-bit) in stereo allowing
compatibility with existing CD players.
What
started out as quadraphonic (4-speaker) sound in the early 1970s has evolved to
become surround sound today. Competing phase- or matrix-encoded
formats (4 channels from 2)--including Dynaco's DynaQuad, ElectroVoice's EV4, Columbia Records' SQ, and Sansui's QS--led to marketplace confusion and the concept's demise.
Revived as Dolby Surround in the early 1980s (based on Sansui's QS system), the advent
of digital audio has led to the current crop of discrete digital
formats: 5.1, 6.1, and 7.1 surround (Dolby
Digital Surround EX is a mix of discrete and matrix encoding).
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- T -
Tomlinson Holman
Experiment--processing specifications for audio components (i.e.
amplifiers, processors, speakers, etc.) for both home and theater
established by Lucasfilm.
THX specifications are designed to
provide consistent audio reproduction as close as possible to what was
originally intended. Professional and home audio equipment can
carry the THX logo after obtaining THX certification from Lucasfilm.
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- U -
ultrasonic
refers to an audio
signal with a frequency higher than can normally be heard by the human
ear, nominally those higher than 20 kHz.
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- V -
(empty)
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- W -
watt
(W)
A unit of
electrical power, abbreviated W.
The audio power of an amplifier
is measured in watts. In relation to Ohm's Law, P=IE: power (in
watts) = current (in amperes) x voltage (in volts).
The standard
format for audio samples under Windows.
Because of the
pervasiveness of Windows, the format is supported by all other
operating systems, as well. The number of bits, encoding, and sampling rate
are not rigidly specified (and can vary). Because of the inflence of CDDA, the
most-common sampling format is 16-bit at 44.1 KHz--if you rip a CD, this is what
you get; if you burn a standard audio CD, this is what you need.
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- X -
(empty)
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- Y -
(empty)
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- Z -
(empty)
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- # -
Multi-channel
surround consisting of a front center, front right, front left, rear
right, and a rear left channel. The .1 channel is a
low-frequency-effects (LFE) sub-woofer channel.
Multi-channel
surround consisting of a front center, front right, front left, rear
right, rear left, and a rear center or "back" channel. The .1
channel is a low-frequency-effects (LFE) sub-woofer channel.
Multi-channel
surround consisting of a front center, front right, front left, side right, side left, rear
right, and a rear left channel. The .1 channel is a
low-frequency-effects (LFE) sub-woofer channel.
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